Our next concert is next Sunday (July 5th), when we’re performing Händel’s Israel in Egypt at the Guildhall, Plymouth.
This is a mature, full-length oratorio on a biblical theme. In parts it is similar to the more famous Messiah (and a few numbers are musically very similar between the two works). In other respects it’s different, and one fundamental difference is that this work uses full antiphonal double chorus. We’ll be split across right/left sides of the stage to deliver the effect.
The subject matter is truly biblical. None of the cuddly, merciful God of Constantine (let alone the modern Church of England), but a vindictive warmonger to make the Islamic State look like a holiday camp. This God doesn’t just indulge in holocaust-scale genocide, he glories in it. Much of the music is correspondingly dark, though there are also some gorgeous interludes.
Also of musical/historic interest, this is a very old edition we’re using. In fact the editor was no less than Felix Mendelssohn. Though better-known as a great composer in his own right, Mendelssohn was right in the vanguard of the revival of the Baroque, so this score is living history!
If you like oratorio, you’ll enjoy this concert.